is a sandwich, a biscuit and a nip out of a flask, and if you then
find yourself lunching off three courses at a comfortable table, why
you'll be in a bit of a hole. Consistency would prompt you to abstain,
appetite urges you to eat. What is a poor talker to do? Obviously, he
must get out somehow. Here is a suggested method. Begin by admiring
the room.

"By Jove, what a jolly little room this is. It's as spick and span as
a model dairy. I wish you'd take me on as your tenant, CHALMERS, when
you've got a vacancy."

CHALMERS will say, "It's not a bad little hole. Old Mrs. NUBBLES keeps
things wonderfully spruce. This is one of the cottages I built five
years ago."

There's your first move. Your next is as follows. Every rustic-cottage
contains gruesome china-ornaments and excruciating-cheap German-prints
of such subjects as "_The Tryst_" (always spelt "_The Trist_" on
the German print), "_The Saylor's Return," "The Warior's Dreem_,"
"_Napoleon at Arcola_," and so forth. Point to a china-ornament and
say, "I never knew cows in this part of the country were blue and
green." Then after you've exhausted the cow, milked her dry, so to
speak, you can take a turn at the engravings, and make a sly hit at
the taste in art generated by modern education. Hereupon, someone is
dead certain to chime in with the veteran grumble about farmers who
educate their children above their station by allowing their daughters
to learn to play the piano, and their sons to acquire the rudiments
of Latin: "Give you my word of honour, the farmers' daughters about
my uncle's place, get their dresses made by my aunt's dressmaker, and
thump out old WAGNER all day long." This horrible picture of rural