Matisse Picasso and Gertrude Stein - With Two Shorter Stories by Gertrude Stein
page 64 of 406 (15%)
page 64 of 406 (15%)
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was one continuing, he was not continuing to be nicely faithful. In
continuing he was being one being the one who was saying good good, excellent but in continuing he was needing that he was believing that he was aspiring to be one continuing to be able to be saying good good, excellent. He had been one saying good good, excellent. He had been that one. Boncinelli in being one was the one explaining that he knew what he was saying. He did know what he was saying. He did know that knowing what one is saying is something having meaning. Boncinelli in feeling was feeling that he was living. He was living. He was feeling. He was feeling, being feeling he could be one making something, and having completely arranged that thing the thing he was making he was one knowing that knowing that he was arranging what he had been making is something. Knowing that knowing he was arranging what he is arranging is something he was one knowing that he was living. In knowing that he was living he was knowing that he was feeling. He was feeling and knowing that he was feeling he was knowing that he was arranging what he was feeling in what he had arranged in making the thing he knew he had beeen arranging. He was feeling. Why do you mind if you heard one thing and told something once and did not believe anything and denied everything, why do you mind if you continue something and admit everything and upset something and remember everything, why do you mind if you repeat something. Why do you mind if you destroy nothing, if you arrange everything, if you continue anything, why do you mind if you admit something. Why do you mind if you |
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