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Matisse Picasso and Gertrude Stein - With Two Shorter Stories by Gertrude Stein
page 64 of 406 (15%)
was one continuing, he was not continuing to be nicely faithful. In
continuing he was being one being the one who was saying good good,
excellent but in continuing he was needing that he was believing that he
was aspiring to be one continuing to be able to be saying good good,
excellent. He had been one saying good good, excellent. He had been that
one.

Boncinelli in being one was the one explaining that he knew what he was
saying. He did know what he was saying. He did know that knowing what
one is saying is something having meaning.

Boncinelli in feeling was feeling that he was living. He was living. He
was feeling.

He was feeling, being feeling he could be one making something, and
having completely arranged that thing the thing he was making he was one
knowing that knowing that he was arranging what he had been making is
something. Knowing that knowing he was arranging what he is arranging
is something he was one knowing that he was living. In knowing that he
was living he was knowing that he was feeling. He was feeling and
knowing that he was feeling he was knowing that he was arranging what he
was feeling in what he had arranged in making the thing he knew he had
beeen arranging. He was feeling.

Why do you mind if you heard one thing and told something once and did
not believe anything and denied everything, why do you mind if you
continue something and admit everything and upset something and remember
everything, why do you mind if you repeat something. Why do you mind if
you destroy nothing, if you arrange everything, if you continue
anything, why do you mind if you admit something. Why do you mind if you
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