Piano Mastery - Talks with Master Pianists and Teachers by Harriette Brower
page 32 of 211 (15%)
page 32 of 211 (15%)
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even though, at first glance, it does not attract one, or indeed seems
almost impossible. I enjoy studying new works, and learning what is the modern trend of thought in piano work; it keeps me young and buoyant. "One of the novelties lately added to my repertoire is the Haydn sonata in D. On the same program I place the Korngold sonata. A hundred years and more divide the two works. While I revere the old, it interests me to keep abreast of the new thought in musical art and life." VI TINA LERNER AN AUDIENCE IS THE BEST TEACHER Between the many engagements that crowded upon the close of her long American tour, Miss Tina Lerner found time to talk over certain topics of significance which bear upon pianistic problems. We began by referring to the different methods of holding the hands, moving the fingers and touching the keys, as exemplified by the various pianists now before the public. "It is true that I play with the ball of the finger on the key, which necessitates a flat position of hand, with low wrist." Here the pianist illustrated the point by playing several pearly scales with straight, |
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