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Piano Mastery - Talks with Master Pianists and Teachers by Harriette Brower
page 42 of 211 (19%)
"In regard to memorizing piano compositions. I do it phrase by phrase,
and at the instrument, unless I am traveling or unable to get to a
piano, in which case I think it out from the notes. If the piece is very
difficult I take a short passage of two or three measures and play each
hand separately and then together; but generally I play the passage
complete--say half a dozen times with the notes, and then repeat it the
same number of times from memory. Perhaps the next day I have forgotten
it, so the work has to be done over again; the second time, however, it
generally sticks.

"My great longing and ambition is to write music, to become a composer.
With this end in view, I give whatever time I am able to the study of
composition. I hope some day to create something that will be worthy the
high aim I have before me."




VIII


BERTHA FIERING TAPPER

MASTERING PIANISTIC PROBLEMS


If environment and atmosphere are inspirational aids to piano teaching
and playing, the students of Mrs. Thomas Tapper have the incentives of
both in their lesson hours. Her apartments on the Drive have the glory
of sunlight all the long afternoons. Outside the Hudson shimmers in blue
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