rosary would appear from the corners: I used to ponder over them, and
return them to their place. But one day--I remember as well as if it
were today--in the corner of the top drawer, and lying on some collars
of old lace, I saw something gold glittering--I put in my hand,
unwittingly crumpled the lace, and drew out a portrait, an ivory
miniature, about three inches long, in a frame of gold.

I was struck at first sight. A sunbeam streamed through the window and
fell upon the alluring form, which seemed to wish to step out of its
dark background and come towards me. It was the most lovely creature,
such as I had never seen except in the dreams of my adolescence. The
lady of the portrait must have been some twenty odd years; she was no
simple maiden, no half-opened rosebud, but a woman in the full
resplendency of her beauty. Her face was oval, but not too long, her
lips full, half-open and smiling, her eyes cast a languishing
side-glance, and she had a dimple on her chin as if formed by the tip
of Cupid's playful finger. Her head-dress was strange but elegant; a
compact group of curls plastered conewise one over the other covered
her temples, and a basket of braided hair rose on the top of her head.
This old-fashioned head-dress, which was trussed up from the nape of
her neck, disclosed all the softness of her fresh young throat, on
which the dimple of her chin was reduplicated more vaguely and
delicately.

As for the dress--I do not venture to consider whether our
grandmothers were less modest than our wives are, or if the confessors
of past times were more indulgent than those of the present; I am
inclined to think the latter, for seventy years ago women prided
themselves upon being Christianlike and devout, and would not have
disobeyed the director of their conscience in so grave and important a