Polly Oliver's Problem by Kate Douglas Smith Wiggin
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page 3 of 158 (01%)
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garret to cellar. A genuine historic air seems to surround the entire
place, lending an added charm, and there are many impressive characteristics of the house in its dignity of architecture, which seem to speak of a past century with volumes of history in reserve. A few steps from these ample grounds, on the opposite side of the road, is a pretty wooden cottage of moderate size and very attractive, the early home of Mrs. Wiggin. These scenes have inspired much of the local coloring of her stories of New England life and character. "Pleasant River" in _Timothy's Quest_ is drawn from this locality, and in her latest book, _The Village Watch Tower_, many of her settings and descriptions are very close to existing conditions. Her own room and literary workshop is on the second floor of the house; it is distinctively a study in white, and no place could be more ideal for creative work. It has the cheeriest outlook from four windows with a southern exposure, overlooking a broad grass plat studded with trees, where birds from early dawn hold merry carnival, and squirrels find perfect and unmolested freedom. A peep into this sanctum is a most convincing proof that she is a woman who dearly loves order, as every detail plainly indicates, and it is also noticeable that any display of literary litter is most conspicuously absent. Interesting souvenirs and gifts of infinite variety are scattered all over the room, on the wainscoting, mantel, and in every available niche; very many are from children and all are dainty tributes. A picture of an irresistibly droll child face, of the African type and infectiously full of mirth, is one of a great company of children who look at you from every side and angle of the room. Dainty old pieces of china, rare bits of bric-a-brac, the very broad |
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