Roman type, or white-letter. What I suspect, however, is that this ballad
is considerably older, and that my copy is only a comparatively modern
reprint with some alterations; it requires no proof, at this time of day,
to show that it was the constant habit of our old publishers of ephemeral
literature to reprint ballads without the slightest notice that they had
ever appeared before. This, in fact, is the point on which I want
information, as to _The Royal Courtly Garland, or Joy after Sorrow_. Can
any of your correspondents refer me to an older copy, or do they know of
the existence of one which belongs to a later period? I cannot be ignorant
of DR. RIMBAULT'S learning on such matters, and I make my appeal especially
to him.

It is very possible that it may bear a different title in other copies, and
for the sake of identification I will furnish a few extracts from the
various "parts" (no fewer than six) into which the ballad is divided;
observing that they fill a closely printed broadside, and that the
production is entirely different from Jordan's versification of the
_Winter's Tale_, under the title of _The Jealous Duke and the injured
Duchess_, which came out in his _Royal Arbor of Loyal Poesie_, 8vo. 1664.
It is singular that two ballads, hitherto wholly unknown, should have been
written upon the same incidents of the same drama, although we are yet
without evidence that Jordan's effusion was ever published as a broadside.

Not a single name is given to any of the persons in my _Royal Courtly
Garland_, but the places of action are reversed exactly in the same way as
in Greene's novel of _Pandosto_, where what Shakspeare represents as
passing in Sicily occurs in Bohemia, and _vice versa_; moreover, the error
of representing Bohemia as a maritime country belongs to my ballad, as well
as to the novelist and the dramatist. The King of Bohemia, jealous of an
"outlandish prince," who he suspected had intrigued with his queen, employs