Last Days of Pompeii by Baron Edward Bulwer Lytton Lytton
page 27 of 573 (04%)
page 27 of 573 (04%)
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Leda'; and in the beautiful work of Sir William Gell, the reader will
find an engraving from that most delicate and graceful painting of Leda presenting her newborn to her husband, from which the room derives its name. This charming apartment opened upon the fragrant garden. Round the table of citrean wood, highly polished and delicately wrought with silver arabesques, were placed the three couches, which were yet more common at Pompeii than the semicircular seat that had grown lately into fashion at Rome: and on these couches of bronze, studded with richer metals, were laid thick quiltings covered with elaborate broidery, and yielding luxuriously to the pressure. 'Well, I must own,' said the aedile Pansa, 'that your house, though scarcely larger than a case for one's fibulae, is a gem of its kind. How beautifully painted is that parting of Achilles and Briseis!--what a style!--what heads!--what a-hem!' 'Praise from Pansa is indeed valuable on such subjects,' said Clodius, gravely. 'Why, the paintings on his walls!--Ah! there is, indeed, the hand of a Zeuxis!' 'You flatter me, my Clodius; indeed you do,' quoth the aedile, who was celebrated through Pompeii for having the worst paintings in the world; for he was patriotic, and patronized none but Pompeians. 'You flatter me; but there is something pretty--AEdepol, yes--in the colors, to say nothing of the design--and then for the kitchen, my friends--ah! that was all my fancy.' 'What is the design?' said Glaucus. 'I have not yet seen your kitchen, though I have often witnessed the excellence of its cheer.' |
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