The Poetical Works of Thomas Hood by Thomas Hood
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natural faculty had been steadily or studiously cultivated. As to
details, it may be remarked that his schooling included some amount--perhaps a fair average amount--of Latin. We find it stated that he had a Latin prize at school, but was not apt at the language in later years. He had however one kind of aptitude at it--being addicted to the use of familiar Latin quotations or phrases, cited with humorous verbal perversions. [Footnote 1: The authority--I might almost say, the _one_ authority--for the life of Hood, is the _Memorials_ published by his son and daughter. Any point which is not clearly brought out in that affectionate and interesting record will naturally be equally or more indefinite in my brief summary, founded as it is on the _Memorials_.] In all the relations of family life, and the forms of family affection, Hood was simply exemplary. The deaths of his elder brother and of his father left him the principal reliance of his mother, herself destined soon to follow them to the tomb: he was an excellent and devoted son. His affection for one of his sisters, Anne, who also died shortly afterwards, is attested in the beautiful lines named _The Deathbed_,-- "We watched her breathing through the night." At a later date, the loves of a husband and a father seem to have absorbed by far the greater part of his nature and his thoughts: his letters to friends are steeped and drenched In "Jane," "Fanny," and "Tom junior." These letters are mostly divided between perpetual family details and perennial jocularity: a succession of witticisms, or at lowest of puns and whimsicalities, mounts up like so many squibs and crackers, fizzing through, sparkling amid, or ultimately extinguished |
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