Punch, or the London Charivari, Volume 152, June 6, 1917 by Various
page 27 of 50 (54%)
page 27 of 50 (54%)
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[Illustration: _Short_. "WE MUST WAIT TILL THE BOYS COME MARCHING HOME, AND THEN THE PROFITS 'LL GO UP." _Codlin_. "OH, WILL THEY? MEBBE THAT BOMBIN' 'LL HAVE MADE 'EM PRETTY TIDY SHOTS."] * * * * * WHO SHALL DECIDE? (_An echo of the Romney cause célèbre_.) In view of the attacks on their honourable calling by Sir THOMAS JACKSON and others, in _The Times_ and elsewhere, the Art critics of London called a public meeting to consolidate their position. The Chair was taken by Sir WILLIAM RICHMOND, who was supported by Mr. HUMPHRY WARD, Mr. A.S. TEMPLE, and numerous other gentlemen who know a Romney when they see it, or who earn an honest livelihood by distributing adjectives, good or bad, among painters. Sir WILLIAM RICHMOND, referring to a recent lawsuit, said that it was monstrous that careful conclusions based upon a long life of study should be upset by the production of a pencil sketch, and he called for the removal of Mr. Justice DARLING from the Bench. Art criticism was not a mere matter of caprice, as people were now pretending, but an exact science. If a qualified man, not only a theorist but a practical craftsman, after years of preparation, stated that a picture was by such and such a painter, it was by him. The mere fact that someone named OZIAS HUMPHRY had made a small sketch resembling a large oil painting |
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