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Punch, or the London Charivari, Volume 152, June 6, 1917 by Various
page 27 of 50 (54%)

[Illustration: _Short_. "WE MUST WAIT TILL THE BOYS COME MARCHING HOME,
AND THEN THE PROFITS 'LL GO UP."

_Codlin_. "OH, WILL THEY? MEBBE THAT BOMBIN' 'LL HAVE MADE 'EM PRETTY TIDY
SHOTS."]

* * * * *

WHO SHALL DECIDE?

(_An echo of the Romney cause célèbre_.)

In view of the attacks on their honourable calling by Sir THOMAS JACKSON
and others, in _The Times_ and elsewhere, the Art critics of London
called a public meeting to consolidate their position. The Chair was
taken by Sir WILLIAM RICHMOND, who was supported by Mr. HUMPHRY WARD,
Mr. A.S. TEMPLE, and numerous other gentlemen who know a Romney when
they see it, or who earn an honest livelihood by distributing
adjectives, good or bad, among painters.

Sir WILLIAM RICHMOND, referring to a recent lawsuit, said that it was
monstrous that careful conclusions based upon a long life of study
should be upset by the production of a pencil sketch, and he called for
the removal of Mr. Justice DARLING from the Bench. Art criticism was not
a mere matter of caprice, as people were now pretending, but an exact
science. If a qualified man, not only a theorist but a practical
craftsman, after years of preparation, stated that a picture was by such
and such a painter, it was by him. The mere fact that someone named
OZIAS HUMPHRY had made a small sketch resembling a large oil painting
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