The Lily of the Valley by Honoré de Balzac
page 36 of 331 (10%)
page 36 of 331 (10%)
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Her arms were beautiful. The curved fingers of the hand were long, and the flesh projected at the side beyond the finger-nails, like those of antique statues. I should displease you, I know, if you were not yourself an exception to my rule, when I say that flat waists should have the preference over round ones. The round waist is a sign of strength; but women thus formed are imperious, self-willed, and more voluptuous than tender. On the other hand, women with flat waists are devoted in soul, delicately perceptive, inclined to sadness, more truly woman than the other class. The flat waist is supple and yielding; the round waist is inflexible and jealous. You now know how she was made. She had the foot of a well-bred woman, --the foot that walks little, is quickly tired, and delights the eye when it peeps beneath the dress. Though she was the mother of two children, I have never met any woman so truly a young girl as she. Her whole air was one of simplicity, joined to a certain bashful dreaminess which attracted others, just as a painter arrests our steps before a figure into which his genius has conveyed a world of sentiment. If you recall the pure, wild fragrance of the heath we gathered on our return from the Villa Diodati, the flower whose tints of black and rose you praised so warmly, you can fancy how this woman could be elegant though remote from the social world, natural in expression, fastidious in all things which became part of herself,--in short, like the heath of mingled colors. Her body had the freshness we admire in the unfolding leaf; her spirit the clear conciseness of the aboriginal mind; she was a child by feeling, grave through suffering, the mistress of a household, yet a maiden too. Therefore she charmed artlessly and unconsciously, by her way of sitting down or rising, of throwing in a word or keeping silence. Though habitually collected, |
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