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What Philately Teaches - A Lecture Delivered before the Section on Philately of the Brooklyn Institute of Arts and Sciences, February 24, 1899 by John N. Luff
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made from the cancellation stamp in use in the post office, the usual
date being replaced by the value. The stamps were struck by hand on
sheets of paper which had been previously ruled into squares with a lead
pencil. The fourth stamp is one of the Reunion stamps previously
mentioned. There were eight stamps in the setting, four having a central
device like the stamp shown, and the other four being of a different
design.

It is interesting to remark that most of these type-set stamps show an
evidence of their provisional nature and the stress under which they
were made, in the paper on which they were printed. It was usually
writing paper, such as would be found at a stationers at that period.
Some of the rare type-set stamps of British Guiana were printed on the
paper used for lining sugar barrels.

[Illustration: Stamp, "Shanghai LPO", 2 candareens]

The stamps of the first issue of Shanghai supply an unique variety in
typographed stamps. In these stamps the central design is cut upon a
block of ivory and the surroundings are set up from printer's type and
rules. The stamps were printed one at a time upon a hand press. The
value, in both English and Chinese, was changed as required, and it is
recorded that on occasions the different values were produced literally
"while you wait." Under such circumstances it is not surprising to learn
that minor varieties are very numerous.

In printing from typographical plates the ink is applied to the surface
by means of a roller. Impressions from these plates, before they have
been pressed, show the design forced into the paper, instead of raised
above it, as in _taille douce_ printing.
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