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How To Write Special Feature Articles - A Handbook for Reporters, Correspondents and Free-Lance Writers Who Desire to Contribute to Popular Magazines and Magazine Sections of Newspapers by Willard Grosvenor Bleyer
page 65 of 544 (11%)
entertainment to others, often subjects them to great humiliation and
suffering. The fact that a man, woman, or child has figured in the day's
news does not necessarily mean that a writer is entitled to exploit such
a person's private affairs. He must discriminate between what the public
is entitled to know and what an individual has a right to keep private.
Innocent wives, sweethearts, or children are not necessarily legitimate
material for his article because their husband, lover, or father has
appeared in the news. The golden rule is the best guide for a writer in
such cases. Lack of consideration for the rights of others is the mark
neither of a good writer nor of a true gentleman. Clean, wholesome
special feature stories that present interesting phases of life
accurately, and that show due consideration for the rights of the
persons portrayed, are quite as entertaining as are any others.

INFORMATIVE ARTICLES. Since many persons confine their reading largely
to newspapers and magazines, they derive most of their information and
ideas from these sources. Even persons who read new books rely to some
extent on special articles for the latest information about current
topics. Although most readers look to periodicals primarily for new,
timely facts, they are also interested to find there biographical and
historical material that is not directly connected with current events.
Every special feature writer has a great opportunity to furnish a large
circle of readers with interesting and significant information.

In analyzing subjects it is necessary to discriminate between
significant and trivial facts. Some topics when studied will be found to
contain little of real consequence, even though a readable article might
be developed from the material. Other themes will reveal aspects that
are both trivial and significant. When a writer undertakes to choose
between the two, he should ask himself, "Are the facts worth
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