One of the men in the room--Baron, an honest, blundering fellow--started
toward the window to see who the prompter was, but the host--of intuitive
perception--saw that this might not be agreeable to their entertainer and
said quietly: "Don't go to the window, Baron. See, Mrs. Detlor is going to
sing."

Baron sat down. There was an instant's pause, in which George Hagar, the
host, felt a strong thrill of excitement. To him Mrs. Detlor seemed in a
dream, though her lips still smiled and her eyes wandered pleasantly over
the heads of the company. She was looking at none of them, but her body
was bent slightly toward the window, listening with it, as the deaf and
dumb do.

Her fingers picked the strings lightly, then warmly, and her voice rose,
clear, quaint and high:

"Look up an look aroun,
Fro you burden on de groun,
Reach up an git de crown,
When de Lord comes in de mornin--
When de Lord comes in de mornin!"

The voice had that strange pathos, veined with humor, which marks most
negro hymns and songs, so that even those present who had never heard an
Americanized negro sing were impressed and grew almost painfully quiet,
till the voice fainted away into silence.

With the last low impulsion, however, the voice from without began again
as if in reply. At the first note one of the young girls present made a