was, at any rate; and often in the evening, returning from library
or dining hall on the way to my distant Boeotia, I would drop in at
his room, in a lofty corner of old Barclay Hall, to pick up
note-books or anything else I might have left there.

What a pleasant place is a college dormitory at night! The rooms
with their green-hooded lights and boyish similarity of decoration,
the amiable buzz and stir of a game of cards under festoons of
tobacco smoke, the wiry tinkle of a mandolin distantly heard, sudden
clatter subsiding again into a general humming quiet, the happy
sense of solitude in multitude, these are the partial ingredients of
that feeling no alumnus ever forgets. In his pensive citadel, my
friend J---- would be sitting, with his pipe (one of those new
"class pipes" with inlaid silver numerals, which appear among every
college generation toward Christmas time of freshman year). In his
lap would be the large green volume ("British Poets of the
Nineteenth Century," edited by Professor Curtis Hidden Page) which
was the textbook of that sophomore course. He was reading Keats. And
his eyes were those of one who has seen a new planet swim into his
ken. I don't know how many evenings we spent there together.
Probably only a few. I don't recall just how we communed, or
imparted to one another our juvenile speculations. But I plainly
remember how he would sit beside his desk-lamp and chuckle over the
Ode to a Nightingale. He was a quizzical and quickly humorous
creature, and Keats's beauties seemed to fill him not with
melancholy or anguish, but with a delighted prostration of laughter.
The "wormy circumstance" of the Pot of Basil, the Indian Maid
nursing her luxurious sorrow, the congealing Beads-man and the
palsied beldame Angela--these and a thousand quaintnesses of phrase
moved him to a gush of glorious mirth. It was not that he did not