part with, so I retained it; still have it; and have occasionally
studied the former owner's marginal memoranda. At the head of The
Eve of St. Agnes he wrote: "Middle Ages. N. Italy. Guelph,
Guibilline." At the beginning of Endymion he recorded: "Keats tries
to be spiritualized by love for celestials." Against Sleep and
Poetry: "Desultory. Genius in the larval state." The Ode on a
Grecian Urn, he noted: "Crystallized philosophy of idealism.
Embalmed anticipation." The Ode on Melancholy: "Non-Gothic. Not of
intellect or disease. Emotions."

Darkling I listen to these faint echoes from a vanished lecture
room, and ponder. Did J---- keep his copy of the book, I wonder, and
did he annotate it with lively commentary of his own? He left
college at the end of our second year, and I have not seen or heard
from him these thirteen years. The last I knew--six years ago--he
was a contractor in an Ohio city; and (is this not significant?) in
a letter written then to another classmate, recalling some
waggishness of our own sophomore days, he used the phrase "Like Ruth
among the alien corn."

In so far as one may see turning points in a tangle of yarn, or
count dewdrops on a morning cobweb, I may say that a few evenings
with my friend J---- were the decisive vibration that moved one more
minor poet toward the privilege and penalty of Parnassus. One cannot
nicely decipher such fragile causes and effects. It was a year later
before the matter became serious enough to enforce abandoning
library copies of Keats and buying an edition of my own. And this,
too, may have been not unconnected with the gracious influence of
the other sex as exhibited in a neighbouring athenæum; and was
accompanied by a gruesome spate of florid lyrics: some (happily)