Jerusalem by Selma Lagerlöf
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page 21 of 311 (06%)
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the fields. It was not difficult to guess his occupation, for he
carried on his shoulder a long-handled paint brush and was spattered with red paint from his cap to his shoe tips. He kept glancing round-about, after the manner of journeymen painters, to find an unpainted farmhouse or one that needed repainting. He had seen, here and there, one and another which he thought might answer his purpose, but he could not seem to fix upon any special one. Then, finally, from the top of a hillock he caught sight of the big Ingmar Farm down in the valley. "Great Caesar!" he exclaimed, and stopped short. "That farmhouse hasn't been painted in a hundred years. Why, it's black with age, and the barns have never seen a drop of point. Here there's work enough to keep me busy till fall." A little farther on he came upon a man plowing. "Why, there's a farmer who belongs here and knows all about this neighbourhood," thought the painter. "He can tell me all I need know about that homestead yonder." Whereupon he crossed the path into the field, stepped up to Ingmar, and asked him if he thought the folks living over there wanted any painting done. Ingmar Ingmarsson was startled, and stood staring at the man as though he were a ghost. "Lord, as I live, it's a painter!" he remarked to himself. "And to think of his coming just now!" He was so dumbfounded that he could not answer the man. He distinctly recalled that every time any one had said to his father: "You ought to have that big, ugly house of yours painted, Father Ingmar," the old man had always replied that he would have it done the year Ingmar married. |
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