The Wrong Box by Robert Louis Stevenson;Lloyd Osbourne
page 77 of 221 (34%)
page 77 of 221 (34%)
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There was no bread in the house, for Miss Hazeltine (like all women left to themselves) had subsisted entirely upon cake. But some of this was found, and (along with what the poets call a glass of fair, cold water) made up a semblance of a morning meal, and then down he sat undauntedly to his delicate task. Nothing can be more interesting than the study of signatures, written (as they are) before meals and after, during indigestion and intoxication; written when the signer is trembling for the life of his child or has come from winning the Derby, in his lawyer's office, or under the bright eyes of his sweetheart. To the vulgar, these seem never the same; but to the expert, the bank clerk, or the lithographer, they are constant quantities, and as recognizable as the North Star to the night-watch on deck. To all this Morris was alive. In the theory of that graceful art in which he was now embarking, our spirited leather-merchant was beyond all reproach. But, happily for the investor, forgery is an affair of practice. And as Morris sat surrounded by examples of his uncle's signature and of his own incompetence, insidious depression stole upon his spirits. From time to time the wind wuthered in the chimney at his back; from time to time there swept over Bloomsbury a squall so dark that he must rise and light the gas; about him was the chill and the mean disorder of a house out of commission--the floor bare, the sofa heaped with books and accounts enveloped in a dirty table-cloth, the pens rusted, the paper glazed with a thick film of dust; and yet these were but adminicles of misery, and the true root of his depression lay round him on the table in the shape of misbegotten forgeries. |
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