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The Piazza Tales by Herman Melville
page 45 of 287 (15%)
telling who he was, or whence he came, or whether he had any relatives
in the world; that though so thin and pale, he never complained of ill
health. And more than all, I remembered a certain unconscious air of
pallid--how shall I call it?--of pallid haughtiness, say, or rather an
austere reserve about him, which had positively awed me into my tame
compliance with his eccentricities, when I had feared to ask him to do
the slightest incidental thing for me, even though I might know, from
his long-continued motionlessness, that behind his screen he must be
standing in one of those dead-wall reveries of his.

Revolving all these things, and coupling them with the recently
discovered fact, that he made my office his constant abiding place and
home, and not forgetful of his morbid moodiness; revolving all these
things, a prudential feeling began to steal over me. My first emotions
had been those of pure melancholy and sincerest pity; but just in
proportion as the forlornness of Bartleby grew and grew to my
imagination, did that same melancholy merge into fear, that pity into
repulsion. So true it is, and so terrible, too, that up to a certain
point the thought or sight of misery enlists our best affections; but,
in certain special cases, beyond that point it does not. They err who
would assert that invariably this is owing to the inherent selfishness
of the human heart. It rather proceeds from a certain hopelessness of
remedying excessive and organic ill. To a sensitive being, pity is not
seldom pain. And when at last it is perceived that such pity cannot
lead to effectual succor, common sense bids the soul be rid of it. What
I saw that morning persuaded me that the scrivener was the victim of
innate and incurable disorder. I might give alms to his body; but his
body did not pain him; it was his soul that suffered, and his soul I
could not reach.

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