His Masterpiece by Émile Zola
page 82 of 507 (16%)
page 82 of 507 (16%)
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wine shop, whose sign 'The Dog of Montargis,' inspired him with
interest. Some stonemasons, in their working blouses, bespattered with mortar, were there at table, and, like them, and with them, he ate his eight sous' 'ordinary'--some beef broth in a bowl, in which he soaked some bread, followed by a slice of boiled soup-beef, garnished with haricot beans, and served up on a plate damp with dish-water. However, it was still too good, he thought, for a brute unable to earn his bread. Whenever his work miscarried, he undervalued himself, ranked himself lower than a common labourer, whose sinewy arms could at least perform their appointed task. For an hour he lingered in the tavern brutifying himself by listening to the conversation at the tables around him. Once outside he slowly resumed his walk in haphazard fashion. When he got to the Place de l'Hotel de Ville, however, a fresh idea made him quicken his pace. Why had he not thought of Fagerolles? Fagerolles was a nice fellow, gay, and by no means a fool, although he studied at the School of Arts. One could talk with him, even when he defended bad painting. If he had lunched at his father's, in the Rue Vieille-du-Temple, he must certainly still be there. On entering the narrow street, Claude felt a sensation of refreshing coolness come over him. In the sun it had grown very warm, and moisture rose from the pavement, which, however bright the sky, remained damp and greasy beneath the constant tramping of the pedestrians. Every minute, when a push obliged Claude to leave the footwalk, he found himself in danger of being knocked down by trucks or vans. Still the street amused him, with its straggling houses out of line, their flat frontages chequered with signboards up to the very eaves, and pierced with small windows, whence came the hum of every |
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