and the Egyptians made their paper from it by cutting the inner part of
the stem into thin strips, the width of which depended upon the
thickness of the stem; the length of these varied, of course, with the
length of the stem. To make a sheet of papyrus several of these strips
were laid side by side lengthwise, and several others were laid over
them crosswise. Thus each sheet of papyrus contained two layers, which
were joined together by means of glue and water or gum. Pliny, a Roman
writer, states (Bohn's edition, vol. iii. p. 189) that Nile water,
which, when in a muddy state, has the peculiar qualities of glue, was
used in fastening the two layers of strips together, but traces of gum
have actually been found on papyri. The sheets were next pressed and
then dried in the sun, and when rubbed with a hard polisher in order to
remove roughnesses, were ready for use.[1] By adding sheet to sheet,
rolls of papyrus of almost any length could be made. The longest roll in
the British Museum is 133 feet long by 16-1/2 inches high (Harris
Papyrus, No. 1), and the second in length is a copy of the Book of the
Dead, which is 123 feet long and 18-1/2 inches high; the latter contains
2666 lines of writing arranged in 172 columns. The rolls on which
ordinary compositions were written were much shorter and not so high,
for they are rarely more than 20 feet long, and are only from 8 to 10
inches in height.

[Illustration: Thoth and Amen-Rā Succouring Isis in the Papyrus Swamps.]

The scribe mixed on his palette the paints which he used. This palette
usually consisted of a piece of alabaster, wood, ivory, or slate, from 8
to 16 inches in length and from 2 to 3-1/2 inches in width; all four
corners were square. At one end of the palette a number of oval or
circular hollows were sunk to hold ink or paint. Down the middle was cut
a groove, square at one end and sloping at the other, in which the