Little girls, all of them thin, and in short skirts, were already
pirouetting, and humming airs. Older girls stood about with their legs
crossed, or, half-stooping, displayed their bosoms while retying the
laces of their pink shoes. Others, wearing a kind of Siamese headdress
with ornaments of gold, were laughing and clashing together their little
silver cymbals. Awkward fellows with false beards, dressed like high
priests in robes of yellow, striped with red, elbowed past and jostled
against the girls quite unceremoniously. An usher, dressed à la
Française, and wearing a chain around his neck, paced, grave and
melancholy, amongst these shameless young girls.

The greenroom at the end of the stage was entered through a large
vestibule hung with curtains of grayish velvet shot with violet, and at
the top of the steps where some men in dress-clothes were talking to
ballet-girls, Vaudrey could see in the great salon beyond, blazing with
light, groups of half-nude women surrounded by men, resembling, in their
black clothes, beetles crawling about roses, the whole company reflected
in a flood of light, in an immense mirror that covered one end of the
room. Little by little, Vaudrey could make out above the paintings
representing ancient dances, and the portraits by Camargo or Noverre, a
confusion of gaudy skirts, pink legs, white shoulders, with the
ubiquitous black coats sprinkled about here and there amongst these
bright colors like large blots of ink upon ball-dresses.

Sulpice had often heard the greenroom of the ballet spoken about, and he
was at once completely disillusioned. The glaring, brutal light
ruthlessly exposed the worn and faded hangings; and the pretty girls in
their full, short, gauzy petticoats, with their bare arms, smiling and
twisting about, their satin-shod feet resting upon gray velvet
footstools, seemed to him, as they occupied the slanting floor, to move