attaches to the term _learned_, we understand him--and we smile.]

[Footnote D: See the chapter on "Puck the Commentator," in the
"Curiosities of Literature," vol. iii.; also p. 304 of the same volume.]

A new race of jargonists, the barbarous metaphysicians of political
economy, have struck at the essential existence of the productions of
genius in literature and art; for, appreciating them by their own
standard, they have miserably degraded the professors. Absorbed in the
contemplation of material objects, and rejecting whatever does not enter
into their own restricted notion of "utility," these cold arithmetical
seers, with nothing but millions in their imagination; and whose choicest
works of art are spinning-jennies, have valued the intellectual tasks of
the library and the studio by "the demand and the supply." They have sunk
these pursuits into the class of what they term "unproductive labour;" and
by another result of their line and level system, men of letters, with
some other important characters, are forced down into the class "of
buffoons, singers, opera-dancers, &c." In a system of political economy it
has been discovered that "that _unprosperous race_ of men, called _men of
letters_, must _necessarily_ occupy their present _forlorn state_ in
society much as formerly, when a scholar and a beggar seem to have been
terms very nearly synonymous."[A] In their commercial, agricultural, and
manufacturing view of human nature, addressing society by its most
pressing wants and its coarsest feelings, these theorists limit the moral
and physical existence of man by speculative tables of population, planing
and levelling society down in their carpentry of human nature. They would
yoke and harness the loftier spirits to one common and vulgar destination.
Man is considered only as he wheels on the wharf, or as he spins in the
factory; but man, as a recluse being of meditation, or impelled to action
by more generous passions, has been struck out of the system of our