wandering on the heights of Hampstead, but the next morning he was at
his easel. He was a free man now in every sense, and the world looked
brighter to him. He worked as hard as ever, and with increasing success,
but he spent most of his evenings with his comrades of the brush, with
whom he was immensely popular. He was indifferent to women, however, and
they did not enter into his life.

But a few months before the opening of this story Jack had taken his new
studio at Ravenscourt Park, in the west of London. It was a big place,
with a splendid north light, and with an admirable train service to all
parts of town; in that respect he was better off than artists living in
Hampstead or St. John's Wood. He had a couple of small furnished rooms
at one end of the studio, in one of which he slept. He usually dined in
town, Paris fashion, but his breakfast and lunch were served by his
French servant, Alphonse, an admirable fellow, who had lodgings close by
the studio; he could turn his hand to anything, and was devoted to his
master.

Jack had achieved success, and he deserved it. His name was well known,
and better things were predicted of him. The leading magazines displayed
his black-and-white drawings monthly, and publishers begged him to
illustrate books. He was making a large income, and saving the half of
it. Nor did he lose sight of his loftier goal. His picture of last year
had been accepted by the Academy, hung well, and sold, and he had just
been notified that he was in again this spring. Fortune smiled on him,
and the folly of his youth was a fading memory that could never cloud or
dim his future.

* * * * *