disturbed her without causing any outward show or manifestation on her
part. At a very early age--perhaps it was when she traversed the ocean
of waving grass--she remembered that she had been passionately enamored
of a dignified and sad-eyed cavalry officer who visited her father in
Kentucky. She could not leave his presence when he was there, nor remove
her eyes from his face, which was something like Napoleon's, with a
lock of black hair failing across the forehead. But the cavalry officer
melted imperceptibly out of her existence.

At another time her affections were deeply engaged by a young gentleman
who visited a lady on a neighboring plantation. It was after they went
to Mississippi to live. The young man was engaged to be married to the
young lady, and they sometimes called upon Margaret, driving over of
afternoons in a buggy. Edna was a little miss, just merging into her
teens; and the realization that she herself was nothing, nothing,
nothing to the engaged young man was a bitter affliction to her. But he,
too, went the way of dreams.

She was a grown young woman when she was overtaken by what she supposed
to be the climax of her fate. It was when the face and figure of a
great tragedian began to haunt her imagination and stir her senses. The
persistence of the infatuation lent it an aspect of genuineness. The
hopelessness of it colored it with the lofty tones of a great passion.

The picture of the tragedian stood enframed upon her desk. Any one
may possess the portrait of a tragedian without exciting suspicion or
comment. (This was a sinister reflection which she cherished.) In the
presence of others she expressed admiration for his exalted gifts, as
she handed the photograph around and dwelt upon the fidelity of the
likeness. When alone she sometimes picked it up and kissed the cold