The genius of Greek art seems to triumph over the traditions of
Pythagorean, Eleatic, or Megarian systems, and 'the old quarrel of poetry
and philosophy' has at least a superficial reconcilement. (Rep.)

An unknown person who had heard of the discourses in praise of love spoken
by Socrates and others at the banquet of Agathon is desirous of having an
authentic account of them, which he thinks that he can obtain from
Apollodorus, the same excitable, or rather 'mad' friend of Socrates, who is
afterwards introduced in the Phaedo. He had imagined that the discourses
were recent. There he is mistaken: but they are still fresh in the memory
of his informant, who had just been repeating them to Glaucon, and is quite
prepared to have another rehearsal of them in a walk from the Piraeus to
Athens. Although he had not been present himself, he had heard them from
the best authority. Aristodemus, who is described as having been in past
times a humble but inseparable attendant of Socrates, had reported them to
him (compare Xen. Mem.).

The narrative which he had heard was as follows:--

Aristodemus meeting Socrates in holiday attire, is invited by him to a
banquet at the house of Agathon, who had been sacrificing in thanksgiving
for his tragic victory on the day previous. But no sooner has he entered
the house than he finds that he is alone; Socrates has stayed behind in a
fit of abstraction, and does not appear until the banquet is half over. On
his appearing he and the host jest a little; the question is then asked by
Pausanias, one of the guests, 'What shall they do about drinking? as they
had been all well drunk on the day before, and drinking on two successive
days is such a bad thing.' This is confirmed by the authority of
Eryximachus the physician, who further proposes that instead of listening
to the flute-girl and her 'noise' they shall make speeches in honour of