and engrossing object of his life, and that its violence was strong in
proportion to that want of all moral restraint, which resulted from
the creed of an infidel and sceptic. And I may say here, that it was my
object to exhibit occasionally the gloomy agonies and hollow delusions
of the latter, as the hard and melancholy system on which he based
his cruel and unsparing ambition. His character was by far the most
difficult to manage. Love has an object; and, in this case, in the
person of Lucy Gourlay it had a reasonable and a noble one. Revenge has
an object; and in the person of Anthony Corbet, or Dunphy, it also
had, according to the unchristian maxims of life, an unusually strong
argument on which to work and sustain itself. But, as for Sir Thomas
Gourlay's mad ambition, I felt that, considering his sufficiently
elevated state of life, I could only compensate for its want of all
rational design, by making him scorn and reject the laws both civil and
religious by which human society is regulated, and all this because he
had blinded his eyes against the traces of Providence, rather than take
his own heart to task for its ambition. Had he been a Christian, I
do not think he could have acted as he did. He shaped his own creed,
however, and consequently, his own destiny. In Lady Edward Gourlay, I
have endeavored to draw such a character as only the true and obedient
Christian can present; and in that of his daughter, a girl endowed with
the highest principles, the best heart, and the purest sense of honor--a
woman who would have been precisely such a character as Lady Gourlay
was, had she lived longer and been subjected to the same trials.
Throughout the whole work, however, I trust that I have succeeded in
the purity and loftiness of the moral, which was to show the pernicious
effects of infidelity and scepticism, striving to sustain and justify an
insane ambition; or, in a word, I endeavored

"To vindicate the ways of God to man."