more justly claimed by James Sullivan, than by Caesar,
or even Bonaparte himself. How his art was acquired, or
in what it consisted, is likely to remain for ever
unknown, as he has lately left the world without
divulging it. His son, who follows the same occupation,
possesses but a small portion of the art, having either
never learned its true secret, or being incapable of
putting it in practice. The wonder of his skill
consisted in the short time requisite to accomplish his
design, which was performed in private, and without any
apparent means of coercion. Every description of horse,
or even mule, whether previously broke, or unhandled,
whatever their peculiar vices or ill habits might have
been, submitted, without show of resistance, to the
magical influence of his art, and, in the short space
of half an hour, became gentle and tractable. The
effect, though instantaneously produced, was generally
durable. Though more submissive to him than to others,
yet they seemed to have acquired a docility, unknown
before. When sent for to tame a vicious horse, he
directed the stable in which he and the object of his
experiment were placed, to be shut, with orders not to
open the door until a signal given. After a _tete-a-
tete_ between him and the horse for about half an hour,
during which little or no bustle was heard, the signal
was made; and upon opening the door, the horse was
seen, lying down, and the man by his side, playing
familiarly with him, like a child with a puppy dog.
From that time he was found perfectly willing to submit
to discipline, however repugnant to his nature before.