God for his sake."

His loss of temper brought a hornet's nest about his ears. Kenny swung
to his feet in smoldering fury. He expressed his opinion of Whitaker,
editors, Brian and sons. The sum of them merged into an unchristian
melee of officiousness and black ingratitude. He recounted the events
of the night before with stinging sarcasm in proof of Brian's
regularity. He ended magnificently by blaming Brian for the disorder
of the studio. There were handles everywhere. And Brian in an
exuberance of amiability had broken a statuette. Likely Whitaker would
see even in that some form of paternal oppression.

"Whitaker," flung out Kenny indignantly, "Brian plays but one
instrument in this studio and we have a dozen. Wasn't it precisely
like him to pick out that damned psaltery there with the crooked stick?
I mean--wasn't it like him to pick out something with a fiendish
appendage that could be lost, and keep the studio in an uproar when he
wanted to play it?"

Whitaker laughed in spite of himself. The psaltery stick was famous.

Moreover, Brian--Brian, mind you, who talked of truth with
hair-splitting piety--Brian had that very day at noon forced his father
to the telling of a lie.

"But he wasn't here," said Whitaker, mystified. "He lunched with me."

"The fact remains," insisted Kenny with dignity. "I myself told Garry
Rittenhouse he'd gone up to Reynolds to collect some money. And Garry,
thinking he had come back, believed it."