The Definite Object - A Romance of New York by Jeffery Farnol
page 52 of 497 (10%)
page 52 of 497 (10%)
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cunningly contrived and delicately tinted to match the cheap but
soft-toned drugget on the floor and the self-coloured paper on the walls, where hung two or three inexpensive reproductions of famous paintings; and in all things there breathed an air of refinement wholly unexpected in Hell's Kitchen. Wherefore Mr. Ravenslee, observing all things with his quick glance, felt an ever-growing wonder. But now Spike, who had been clattering plates and dishes in the kitchen hard by, thrust his head around the door to say: "Oh, Geoff--I don't feel like doin' the shut-eye business, d' you? How about a cup of coffee, an' I daresay I might dig out some eats; what d' ye say?" "Is this--your sister?" enquired Mr. Ravenslee, taking up a photograph from the little sideboard. "Yep, that's Hermy all right--taken las' year--does her hair different now. How about some coffee, Geoff?" "Coffee?" said Mr. Ravenslee, staring at the picture, "coffee--certainly--er--thanks! She has--light hair, Spike?" "Gold!" said Spike, and vanished; whereupon Mr. Ravenslee laid the photograph on the table, and sitting down, fell to viewing it intently. A wonderful face, low-browed, deep-eyed, full-lipped. Here was none of smiling prettiness, for these eyes were grave and thoughtful, these lips, despite their soft, voluptuous curves, were firmly modelled like the rounded chin below, and, in all the face, despite its vivid youth, was a vague and wistful sadness. |
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