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Cratylus by Plato
page 30 of 184 (16%)
names perceived that the tongue is most agitated in the pronunciation of
this letter, just as he used iota to express the subtle power which
penetrates through all things. The letters phi, psi, sigma, zeta, which
require a great deal of wind, are employed in the imitation of such notions
as shivering, seething, shaking, and in general of what is windy. The
letters delta and tau convey the idea of binding and rest in a place: the
lambda denotes smoothness, as in the words slip, sleek, sleep, and the
like. But when the slipping tongue is detained by the heavier sound of
gamma, then arises the notion of a glutinous clammy nature: nu is sounded
from within, and has a notion of inwardness: alpha is the expression of
size; eta of length; omicron of roundness, and therefore there is plenty of
omicron in the word goggulon. That is my view, Hermogenes, of the
correctness of names; and I should like to hear what Cratylus would say.
'But, Socrates, as I was telling you, Cratylus mystifies me; I should like
to ask him, in your presence, what he means by the fitness of names?' To
this appeal, Cratylus replies 'that he cannot explain so important a
subject all in a moment.' 'No, but you may "add little to little," as
Hesiod says.' Socrates here interposes his own request, that Cratylus will
give some account of his theory. Hermogenes and himself are mere
sciolists, but Cratylus has reflected on these matters, and has had
teachers. Cratylus replies in the words of Achilles: '"Illustrious Ajax,
you have spoken in all things much to my mind," whether Euthyphro, or some
Muse inhabiting your own breast, was the inspirer.' Socrates replies, that
he is afraid of being self-deceived, and therefore he must 'look fore and
aft,' as Homer remarks. Does not Cratylus agree with him that names teach
us the nature of things? 'Yes.' And naming is an art, and the artists are
legislators, and like artists in general, some of them are better and some
of them are worse than others, and give better or worse laws, and make
better or worse names. Cratylus cannot admit that one name is better than
another; they are either true names, or they are not names at all; and when
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