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The Seven Great Monarchies Of The Ancient Eastern World, Vol 2. (of 7): Assyria - The History, Geography, And Antiquities Of Chaldaea, - Assyria, Babylon, Media, Persia, Parthia, And Sassanian - or New Persian Empire; With Maps and Illustrations. by George Rawlinson
page 100 of 524 (19%)
Nimrud, and is remarkable in many ways. First, the want of symmetry is
curious, and unusual. Irregular as are the palaces of the Assyrian
kings, there is for the most part no want of regularity in their sacred
buildings. The two specimens here adduced (No. II. and No. III.) are
proof of this; and such remains of actual temples as exist are in
accordance with the sculptures in this particular. The right-hand aisle
in No. IV., having nothing correspondent to it on the other side, is
thus an anomaly in Assyrian architecture. The patterning of the pillars
with chevrons is also remarkable; and their capitals are altogether
unique. No. V. is a temple of a more elaborate character. [PLATE XLIX.,
Fig. 4.] It is from the sculptures of Asshur-banipal, the son of
Esar-haddon, and possesses several features of great interest. The body
of the temple is a columnar structure, exhibiting at either corner a
broad pilaster surmounted by a capital composed of two sets of volutes
placed one over the other. Between the two pilasters are two pillars
resting upon very extraordinary rounded bases, and crowned by capitals
not unlike the Corinthian. We might have supposed the bases mere
figments of the sculptor, but for an independent evidence of the actual
employment by the Assyrians of rounded pillar-bases. Mr. Layard
discovered at Koyunjik a set of "circular pedestals," whereof he gives
the representation which is figured. [PLATE LI., Fig. 1.] They appeared
to form part of a double line of similar objects, extending from the
edge of the platform to an entrance of the palace, and probably (as Mr.
Layard suggests) supported the wooden pillars of a covered way by which
the palace was approached on this side. Above the pillars the temple
(No. V.) exhibits a heavy cornice or entablature projecting
considerably, and finished at the top with a row of gradines. (Compare
No. II.) At one side of this main building is a small chapel or oratory,
also finished with gradines, against the wall of which is a
representation of a king, standing in a species of frame arched at the
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