upholsterers, as workers in ivory, as glass-blowers, as embroiderers of
dresses, it is evident that they equalled, if they did not exceed, all
other Oriental nations. It is the object of the present chapter to give
some account of their skill in these various respects. Something is now
known of them all; and though in every case there are points still
involved in obscurity, and recourse must therefore be had upon occasion
to conjecture, enough appears certainly made out to justify such an
attempt as the present, and to supply a solid groundwork of fact
valuable in itself, even if it be insufficient to sustain in addition
any large amount of hypothetical superstructure.

The architecture of the Assyrians will naturally engage our attention at
the outset. It is from an examination of their edifices that we have
derived almost all the knowledge which we possess of their progress in
every art; and it is further as architects that they always enjoyed a
special repute among their neighbors. Hebrew and Armenian united with
Greek tradition in representing the Assyrians as notable builders at a
very early time. When Asshur "went forth out of the land of Shinar," it
was to build cities, one of which is expressly called "a great city."
When the Armenians had to give an account of the palaces and other vast
structures in their country, they ascribed their erection to the
Assyrians. Similarly. when the Greeks sought to trace the civilization
of Asia to its source, they carried it back to Ninus and Semiramis, whom
they made the founders, respectively, of Nineveh and Babylon, the two
chief cities of the early world.

Among the architectural works of the Assyrians, the first place is
challenged by their palaces. Less religious, or more servile, than the
Egyptians and the Greeks, they make their temples insignificant in
comparison with the dwellings of their kings, to which indeed the temple