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Essays on Art by A. (Arthur) Clutton-Brock
page 12 of 95 (12%)
finish of nature, who expect it to be born, not made. They are always
disappointed by the greatest works of art, by their inadequacy and
strain and labour. They look for a proof of what man can do and find a
confession of what he cannot do; but that confession, made sincerely and
passionately, is beauty. There is also a serenity in the beauty of art,
but it is the serenity of self-surrender, not of self-satisfaction, of
the saint, not of the lady of fashion. And all the accomplishment of
great art, its infinite superiority in mere skill over the work of the
merely skilful, comes from the incessant effort of the artist to do more
than he can. By that he is trained; by that his work is distinguished
from the mere exclamation of wonder. He is not content to applaud; he
must also worship, and make his offerings in his worship; and they are
the best he can do. It was not only the shepherds who came to the birth
of Christ; the wise men came also and brought their treasures with them.
And the art of mankind is the offering of its wise men, it is the
adoration of the Magi, who are one with the simplest in their worship--

Wise men, all ways of knowledge past,
To the Shepherd's wonder come at last.

But they do not lose their wisdom in their wonder. When it passes into
wonder, when all the knowledge and skill and passion of mankind are
poured into the acknowledgment of something greater than themselves,
then that acknowledgment is art, and it has a beauty which may be envied
by the natural beauty of God Himself.




Leonardo da Vinci
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