In Indian Mexico (1908) by Frederick Starr
page 47 of 446 (10%)
page 47 of 446 (10%)
|
Tehuantepec is meanly built; it is hot and dusty, and the almost
constant winds drive the dust in clouds through the streets. But its picturesque market is a redeeming feature. Every morning it is crowded and presents a brilliant and lively spectacle. All the trade is in the hands of women, and the Tehuantepec women have the reputation of being the handsomest in the world. They are large, finely-built, and in their movements exhibit an indescribable freedom and grace. Their natural attractions are set off by a characteristic and becoming costume. The _huipilili_ is a little sleeveless waist, loose at the neck and arms, and so short that it rarely reaches to the waist-line, to which, of course, it is supposed to extend; it is of bright cotton--red, brown, purple, with stripes or spots of white--and is stitched at the neck with yellow silk. The _enagua_, or skirt, is a strip of heavy cotton cloth, less than a yard wide, which is simply wrapped around the figure and hangs from the waist, being held in place by a brightly colored belt or girdle. The _enagua_ is usually a rich red, but it is sometimes a fine violet purple. It reaches but little below the knees. It generally fails to meet the _huipilili_ above, so that a broader or narrower band of fine, dark brown separates the two garments. Nothing is worn on the feet, which are exposed, as are also the finely shaped and beautifully developed arms. But the most striking article in the Tehuantepec woman's costume is her _huipíl_, which travellers usually describe as a head-dress, although it is nothing of the kind. It is in reality a waist-garment with sleeves. It is made of lace or cotton, or linen, and is bordered at the neck, the sleeves, and the lower margin with broad ruffs of pleated lace. Only at church or on some important or ceremonial occasion is the _huipíl_ worn as it was meant to be. Usually at church the wearer draws the garment over her upper body, but does not put her arms into the sleeves, nor her head through the neck-opening, simply fitting her face into this in such a way that it appears to be framed in |
|