Memoirs of the Author of a Vindication of the Rights of Woman by William Godwin
page 35 of 82 (42%)
page 35 of 82 (42%)
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The censure of the liberal critic as to the defects of this performance,
will be changed into astonishment, when I tell him, that a work of this inestimable moment, was begun, carried on, and finished in the state in which it now appears, in a period of no more than six weeks. It is necessary here that I should resume the subject of the friendship that subsisted between Mary and Mr. Fuseli, which proved the source of the most memorable events in her subsequent history. He is a native of the republic of Switzerland, but has spent the principal part of his life in the island of Great-Britain. The eminence of his genius can scarcely be disputed; it has indeed received the testimony which is the least to be suspected, that of some of the most considerable of his contemporary artists. He has one of the most striking characteristics of genius, a daring, as well as persevering, spirit of adventure. The work in which he is at present engaged, a series of pictures for the illustration of Milton, upon a very large scale, and produced solely upon the incitement of his own mind, is a proof of this, if indeed his whole life had not sufficiently proved it. Mr. Fuseli is one of Mr. Johnson's oldest friends, and was at this time in the habit of visiting him two or three times a week. Mary, one of whose strongest characteristics was the exquisite sensations of pleasure she felt from the associations of visible objects, had hitherto never been acquainted, or never intimately acquainted, with an eminent painter. The being thus introduced therefore to the society of Mr. Fuseli, was a high gratification to her; while he found in Mary, a person perhaps more susceptible of the emotions painting is calculated to excite, than any other with whom he ever conversed. Painting, and subjects closely connected with painting, were their almost constant topics of conversation; and they found them inexhaustible. It cannot be |
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