and this celebrated artist, remains to be told. She saw Mr. Fuseli
frequently; he amused, delighted and instructed her. As a painter, it
was impossible she should not wish to see his works, and consequently to
frequent his house. She visited him; her visits were returned.
Notwithstanding the inequality of their years, Mary was not of a temper
to live upon terms of so much intimacy with a man of merit and genius,
without loving him. The delight she enjoyed in his society, she
transferred by association to his person. What she experienced in this
respect, was no doubt heightened, by the state of celibacy and restraint
in which she had hitherto lived, and to which the rules of polished
society condemn an unmarried woman. She conceived a personal and ardent
affection for him. Mr. Fuseli was a married man, and his wife the
acquaintance of Mary. She readily perceived the restrictions which this
circumstance seemed to impose upon her; but she made light of any
difficulty that might arise out of them. Not that she was insensible to
the value of domestic endearments between persons of an opposite sex,
but that she scorned to suppose, that she could feel a struggle, in
conforming to the laws she should lay down to her conduct.

There cannot perhaps be a properer place than the present, to state her
principles upon this subject, such at least as they were when I knew her
best. She set a great value on a mutual affection between persons of an
opposite sex. She regarded it as the principal solace of human life. It
was her maxim, "that the imagination should awaken the senses, and not
the senses the imagination." In other words, that whatever related to
the gratification of the senses, ought to arise, in a human being of a
pure mind, only as the consequence of an individual affection. She
regarded the manners and habits of the majority of our sex in that
respect, with strong disapprobation. She conceived that true virtue
would prescribe the most entire celibacy, exclusively of affection, and