upon its young to equip it with gaiety and enthusiasm, to persuade it
that living is a pleasure, until men everywhere have anxiously
provided channels through which this wine of life might flow, and be
preserved for their delight. The classical city promoted play with
careful solicitude, building the theater and stadium as it built the
market place and the temple. The Greeks held their games so integral a
part of religion and patriotism that they came to expect from their
poets the highest utterances at the very moments when the sense of
pleasure released the national life. In the medieval city the knights
held their tourneys, the guilds their pageants, the people their
dances, and the church made festival for its most cherished saints
with gay street processions, and presented a drama in which no less a
theme than the history of creation became a matter of thrilling
interest. Only in the modern city have men concluded that it is no
longer necessary for the municipality to provide for the insatiable
desire for play. In so far as they have acted upon this conclusion,
they have entered upon a most difficult and dangerous experiment; and
this at the very moment when the city has become distinctly
industrial, and daily labor is continually more monotonous and
subdivided. We forget how new the modern city is, and how short the
span of time in which we have assumed that we can eliminate public
provision for recreation.

A further difficulty lies in the fact that this industrialism has
gathered together multitudes of eager young creatures from all
quarters of the earth as a labor supply for the countless factories
and workshops, upon which the present industrial city is based. Never
before in civilization have such numbers of young girls been suddenly
released from the protection of the home and permitted to walk
unattended upon city streets and to work under alien roofs; for the