An Essay towards Fixing the True Standards of Wit, Humour, Railery, Satire, and Ridicule (1744) by Corbyn Morris
page 6 of 88 (06%)
page 6 of 88 (06%)
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Parts of the Work very frankly allow it's Merit: the Definition
of Wit, which presents itself at first, you say is, particularly objected to, as dark and involv'd; in answer to which I beg Leave to give you my plain Sentiments upon it, and which I apprehend should naturally occur to every Reader: In treating upon Wit, the Author seems constantly to carry in his View a Distinction between _This_ and _Vivacity_: there is a Lustre or Brilliancy which often results from wild unprovok'd Sallies of Fancy; but such unexpected Objects, which serve not to _elucidate_ each other, discover only a Flow of Spirits, or rambling Vivacity; whereas, says he, Wit is the Lustre which results from the quick _Elucidation_ of one Subject, by the just and unexpected Arrangement of it with another Subject.--To constitute _Wit_, there must not only arise a _Lustre_ from the quick Arrangement together of two Subjects, but the new Subject must be naturally introduced, and also serve to _elucidate_ the original one: the Word _Elucidation_, though it be not new, is elegant, and very happily applied in this Definition; yet I have seen some old Gentlemen here stumble at it, and have found it difficult to persuade them to advance farther:--I have also heard Objections made to the Words _Lustre_ and _Brilliancy_ of Ideas, though they are Terms which have been used by the _Greeks_ and _Romans_, and by elegant Writers of all Ages and Nations; and the Effect which they express, is perfectly conceiv'd and felt by every Person of true Genius and Imagination. The Distinctions between _Wit_ and _Humour_, and the Reasons why _Humour_ is more pleasurably felt than _Wit_, are new and excellent: as is the Definition of an _Humourist_, and the happy Analysis of the Characters of _Falstaff_, _Sir Roger de Coverly_, |
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