Barbara's Heritage - Young Americans Among the Old Italian Masters by Deristhe L. Hoyt
page 146 of 240 (60%)
page 146 of 240 (60%)
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He creates Adam: nothing more grand is there in the whole realm of art
than this magnificent figure, perfect in everything save the reception of the breath of eternal life; his eyes are waiting for the Divine spark that will leap into them when God's finger shall touch his own. He creates Eve. In Paradise they sin, and are driven out by angels with flaming swords. Then, a sad sequence to the parents' weakness, Cain murders his brother Abel. The flood comes and destroys all their descendants save Noah. He who has withstood evil is saved with his family in the ark, and becomes the father of a new race." "And do the pictures at the corners, and the single figures, have anything to do with this subject?" asked Malcom, after a pause, during which all were busy following the thoughts awakened by Mr. Sumner's words. [Illustration: MICHAEL ANGELO. SISTINE CHAPEL, ROME. THE DELPHIAN SIBYL.] "Yes, indeed; nothing here is foreign to the one great thought of the painter. The four irregular spaces at the corners are filled with representations of important deliverances of the Jewish people from evil,--David slaying Goliath, the hanging of Haman, the serpent raised in the wilderness, and Judith with the head of Holofernes. The connection in Michael Angelo's mind evidently was that God, who had always provided a help for His people, would also in His own time give a Saviour from their sins. "Ranged along the sides you see seven prophets and five sibyls: the prophets foretold Christ's coming to the Jewish world, and the sibyls |
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