IN THE "FINE ART" EXHIBITION.

_Rustic Art Patrons discovered applying their eyes to
peepholes, through which a motley collection of coloured
lithographs of the Crimean Campaign, faded stereoscopic-views,
Scriptural engravings, and daubed woodcuts from the
"Illustrated Police News," is arranged for their inspection._

_First Art Patron_ (_waiting for his turn at the first peephole_).
Look alive theer, GE-ARGE, ain't ye done squintin' at 'un yet?

_Ge-arge_ (_a local humorist_). 'Tis a rare old novelty, BEN, th'
latest from London, and naw mistake 'bout it!

_Ben_ (_with disappointment, as he succeeds to the peephole_). Why,
'tain't on'y ADAM an' EVE afoor th' Fall! that ain't so partickler
noo, as _I_ can see--Lar dear, they're a settin' nekked on a live
lion, and a nursin' o' rabbits! (_At the next hole_ ADAM _and_ EVE
_are represented "After the Fall," overwhelmed with confusion, while
the lion is stalking off scandalised, with a fine expression of lofty
moral indignation._) 'Ere they are _agen_! that theer lion thinks he's
played sofy to 'en long 'nough, seemin'ly!

_Ge-arge_ (_from a further peephole_). I say, BEN, 'ere's Mrs. PEARCEY
a murderin' Mrs. 'OGG down this 'un--we're a-gittin' _along_!

_Ben_ (_puzzled_). They must ha' skipped out a deal. I'm on'y at "CAIN
killin' ABEL!"

_Female Patron_ (_to Proprietor_). 'Ere, Master, I can't see nothen'