a prudent and well-inclined gentleman. The latter went out clad in
the same livery and habit, and was very splendid and showy.

Some erudite person will say what Apelles said to a painter who had
painted the picture of Queen Elena richly decked in finery, jewels,
gold, and precious stones: "Since thou didst not know how to paint her
beautiful, thou didst paint her rich." But I adhere to and declare
the truth, and I even curtail in this relation what I might say of
it. Although I confess that this relation has not been designedly
embellished, it is written rich in truth (which is the greatest
beauty and splendor that can be given a history), with which its
defects will be supplied, since there is nothing in this life that
can be said not to possess some defect.

The gentlemen who were to take part in the play made their entrance
in the above manner with great dexterity. They paraded through both
sides of the square, couple by couple, in excellent order.

After the entrance, they changed horses; the places were assigned
in divisions of fours, and they took their spears. They engaged
in a well-concerted play, one division against another, two and
two. From that post went out another division against the one that
was advancing. It lasted more than an hour, with great gallantry,
without any misfortune or disaster happening, until from the plaza
the deputies entered their midst and separated them. At that juncture
a fiery bull was let out. The gentlemen made very skilful movements
against this bull with their rejons, and against others that were run,
until the sun's light retired to illuminate the antipodes; and the
gentlemen and ladies left the square, and the balconies and galleries
[_miradors_], to return to reoccupy them on another occasion one week