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A Critical Essay on Characteristic-Writings - From his translation of The Moral Characters of Theophrastus (1725) by Henry Gally
page 25 of 53 (47%)

----With conceal’d Design,
Did crafty _Horace_ his low Numbers join:
And, with a sly insinuating Grace,
Laugh’d at his Friend, and look’d him in the Face:
Wou’d raise a Blush, where secret Vice he found;
And tickle, while he gently prob’d the Wound.
With seeming Innocence the Crowd beguil’d;
But made the desp’rate Passes, when he smil’d.
Mr. _Dryden_.

This was the Character of one of the greatest _Roman_ Poets; and in
this Art, amongst the Moderns, [G]_Benserade_ particularly excell’d,
if we may believe his Successor and Panegyrist _Pavillon_.

[G: Dictionaire de _Bayle_. Artic. _Benserade._ Not. L.]

What is the proper Style for _Characteristic-Writings_ is briefly laid
down by [H]_Libanius_ in the following Words. Ἐργάση τὴν ἠθοποιίαν
χαρακτῆρι σαφεῖ, συντόμῳ, ἀνθηρῷ, ἀπολύτῳ, ἀπηλλαγμένῳ πάσης πλοκῆς
τε καὶ σχήματος. “When you describe Manners you must use a plain,
concise, florid, easy Style, free from all artificial Turns and
Figures.” Every Thing must be even, smooth, easy and unaffected;
without any of those Points and Turns, which convey to the Mind
nothing but a low and false Wit, in which our Moderns so much abound,
and in which they seem to place their greatest Beauties.

[H: Ap. _Is. Casaub._ Proleg. ad Theophrast.]

The primary Standard for Style is the Nature of the Subject: And
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