A Critical Essay on Characteristic-Writings - From his translation of The Moral Characters of Theophrastus (1725) by Henry Gally
page 25 of 53 (47%)
page 25 of 53 (47%)
|
----With concealâd Design, Did crafty _Horace_ his low Numbers join: And, with a sly insinuating Grace, Laughâd at his Friend, and lookâd him in the Face: Wouâd raise a Blush, where secret Vice he found; And tickle, while he gently probâd the Wound. With seeming Innocence the Crowd beguilâd; But made the despârate Passes, when he smilâd. Mr. _Dryden_. This was the Character of one of the greatest _Roman_ Poets; and in this Art, amongst the Moderns, [G]_Benserade_ particularly excellâd, if we may believe his Successor and Panegyrist _Pavillon_. [G: Dictionaire de _Bayle_. Artic. _Benserade._ Not. L.] What is the proper Style for _Characteristic-Writings_ is briefly laid down by [H]_Libanius_ in the following Words. á¼ÏγάÏη Ïὴν ἠθοÏοιίαν ÏαÏακÏá¿Ïι ÏαÏεá¿, ÏÏ Î½Ïόμῳ, á¼Î½Î¸Î·Ïá¿·, á¼ÏολύÏῳ, á¼Ïηλλαγμένῳ Ïá½±ÏÎ·Ï Ïλοκá¿Ï Ïε καὶ ÏÏήμαÏοÏ. âWhen you describe Manners you must use a plain, concise, florid, easy Style, free from all artificial Turns and Figures.â Every Thing must be even, smooth, easy and unaffected; without any of those Points and Turns, which convey to the Mind nothing but a low and false Wit, in which our Moderns so much abound, and in which they seem to place their greatest Beauties. [H: Ap. _Is. Casaub._ Proleg. ad Theophrast.] The primary Standard for Style is the Nature of the Subject: And |
|