A Critical Essay on Characteristic-Writings - From his translation of The Moral Characters of Theophrastus (1725) by Henry Gally
page 45 of 53 (84%)
page 45 of 53 (84%)
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whence they drew: The ingenious Mr. _Congreve_ has pursuâd the same
Vein of _Humour_; and he has imitated his Predecessors so well, that he has by far out-done âem all. In his Dramatic-Pieces there is the greatest Variety of _Humour_ and of original Characters, set off by the greatest Delicacy of Sentiments, and adornâd with the Beauties of the justest Diction that can possibly be imagined. Mr. _Dryden_ must be allowâd to be a competent Judge in an Affair of this Nature, and he has given us the true Character and Panegyric of Mr. _Congreve_ in the following Lines. In him all Beauties of this Age we see; } _Etherege_ his Courtship, _Southern_âs Purity; } The Satir, Wit and Strength of manly _Wicherly_. } âTis true, there is some Difference between the Characters which enter into the Composition of Dramatic Pieces, and those which are represented by _Characteristic-Writers_; but this Difference is so small, that I doubt not but he, who is an able Master in one of these Kinds, would as successfully perform in the other. For, in reality, the essential Parts of the Characters, in the _Drama_, and in _Characteristic-Writings_, are the same. They are both an Image of one Life; a Representation of one Person: All the Diversity lies in the different Manner of representing the same Image. The _Drama_ presents to the Eyes of a Spectator an Actor, who speaks and acts as the Person, whom he represents, is supposâd to speak and act in real Life. The _Characteristic_ Writer introduces, in a descriptive manner, before a Reader, the same Person, as speaking and acting in the same manner: And both must be performâd in such a natural and lively manner, as may deceive the Spectator and Reader, and make them fancy they see the Person represented or characterisâd. |
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