Guy Rivers: A Tale of Georgia by William Gilmore Simms
page 67 of 620 (10%)
page 67 of 620 (10%)
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his way into the settlement; an occurrence, at the time we write, of
very occasional character. To each of the four vast walls of the jail, in a taste certainly not bad, if we consider the design and character of the fabric, but a single window was allotted--that too of the very smallest description for human uses, and crossed at right angles with rude and slender bars of iron, the choicest specimens of workmanship from the neighboring smithy. The distance between each of these four equally important buildings was by no means inconsiderable, if we are required to make the scale for our estimate, that of the cramped and diminished limits accorded to like places in the cities, where men and women appear to increase in due proportion as the field lessens upon which they must encounter in the great struggle for existence. Though neighbors in every substantial respect, the four fabrics were most uncharitably remote, and stood frowning gloomily at one another--scarcely relieved of the cheerless and sombre character of their rough outsides, even when thus brightly illuminated by the glare thrown upon them by the several blazes, flashing out upon the scene from the twin lamps in front of the tavern, through whose wide and unsashed windows an additional lustre, as of many lights, gave warm indications of life and good lodgings within. At a point equidistant from, and forming one of the angles of the same square with each of these, the broader glare from the smith's furnace streamed in bright lines across the plain between, pouring through the unclayed logs of the hovel, in which, at his craft, the industrious proprietor was even then busily employed. Occasionally, the sharp click of his hammer, ringing upon and resounding from the anvil, and a full blast from the capacious bellows, indicated the busy animation, if not the sweet concert, the habitual cheerfulness and charm, of a more civilized and better regulated society. |
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