"_DESTINY_ is _NOT_ a matter of _CHANCE_. It is a matter of _CHOICE_."
Now read this over, striking the words in capitals with a great deal of
force.

In almost every sentence there are a few _MOUNTAIN PEAK WORDS_ that
represent the big, important ideas. When you pick up the evening paper
you can tell at a glance which are the important news articles. Thanks
to the editor, he does not tell about a "hold up" in Hong Kong in the
same sized type as he uses to report the death of five firemen in your
home city. Size of type is his device to show emphasis in bold relief.
He brings out sometimes even in red headlines the striking news of the
day.

It would be a boon to speech-making if speakers would conserve the
attention of their audiences in the same way and emphasize only the
words representing the important ideas. The average speaker will deliver
the foregoing line on destiny with about the same amount of emphasis on
each word. Instead of saying, "It is a matter of _CHOICE_," he will
deliver it, "It is a matter of choice," or "_IT IS A MATTER OF
CHOICE_"--both equally bad.

Charles Dana, the famous editor of _The New York Sun_, told one of his
reporters that if he went up the street and saw a dog bite a man, to pay
no attention to it. _The Sun_ could not afford to waste the time and
attention of its readers on such unimportant happenings. "But," said Mr.
Dana, "if you see a man bite a dog, hurry back to the office and write
the story." Of course that is news; that is unusual.

Now the speaker who says "_IT IS A MATTER OF CHOICE_" is putting too
much emphasis upon things that are of no more importance to metropolitan