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The Art of Public Speaking by J. Berg (Joseph Berg) Esenwein;Dale Carnagey
page 36 of 640 (05%)

The little child seldom speaks in a monotonous pitch. Observe the
conversations of little folk that you hear on the street or in the home,
and note the continual changes of pitch. The unconscious speech of most
adults is likewise full of pleasing variations.

Imagine someone speaking the following, and consider if the effect would
not be just about as indicated. Remember, we are not now discussing the
inflection of single words, but the general pitch in which phrases are
spoken.

(High pitch) "I'd like to leave for my vacation tomorrow,--(lower)
still, I have so much to do. (Higher) Yet I suppose if I wait until I
have time I'll never go."

Repeat this, first in the pitches indicated, and then all in the one
pitch, as many speakers would. Observe the difference in naturalness of
effect.

The following exercise should be spoken in a purely conversational
tone, with numerous changes of pitch. Practise it until your delivery
would cause a stranger in the next room to think you were discussing an
actual incident with a friend, instead of delivering a memorized
monologue. If you are in doubt about the effect you have secured, repeat
it to a friend and ask him if it sounds like memorized words. If it
does, it is wrong.



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