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The Art of Public Speaking by J. Berg (Joseph Berg) Esenwein;Dale Carnagey
page 48 of 640 (07%)
Drill on the following selections for change of pitch: Beecher's
"Abraham Lincoln," p. 76; Seward's "Irrepressible Conflict," p. 67;
Everett's "History of Liberty," p. 78; Grady's "The Race Problem," p.
36; and Beveridge's "Pass Prosperity Around," p. 470.




CHAPTER V

EFFICIENCY THROUGH CHANGE OF PACE

Hear how he clears the points o' Faith
Wi' rattlin' an' thumpin'!
Now meekly calm, now wild in wrath,
He's stampin' an' he's jumpin'.

--ROBERT BURNS, _Holy Fair_.


The Latins have bequeathed to us a word that has no precise equivalent
in our tongue, therefore we have accepted it, body unchanged--it is the
word _tempo_, and means _rate of movement_, as measured by the time
consumed in executing that movement.

Thus far its use has been largely limited to the vocal and musical arts,
but it would not be surprising to hear tempo applied to more concrete
matters, for it perfectly illustrates the real meaning of the word to
say that an ox-cart moves in slow tempo, an express train in a fast
tempo. Our guns that fire six hundred times a minute, shoot at a fast
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