The Art of Public Speaking by J. Berg (Joseph Berg) Esenwein;Dale Carnagey
page 55 of 640 (08%)
page 55 of 640 (08%)
|
_Change of Tempo Prevents Monotony_
The canary in the cage before the window is adding to the beauty and charm of his singing by a continual change of tempo. If King Solomon had been an orator he undoubtedly would have gathered wisdom from the song of the wild birds as well as from the bees. Imagine a song written with but quarter notes. Imagine an auto with only one speed. EXERCISES 1. Note the change of tempo indicated in the following, and how it gives a pleasing variety. Read it aloud. (Fast tempo is indicated by italics, slow by small capitals.) _And he thought that some day he would take the time to play; but, say_--HE WAS WRONG. LIFE'S A SONG; _in the_ SPRING YOUTH _can_ SING _and can_ FLING; BUT JOYS WING WHEN WE'RE OLDER, LIKE THE BIRDS _when it's_ COLDER. _The roses were red as he went rushing by, and glorious tapestries hung in the sky._ 2. Turn to "Fools Gold," on Page 42, and deliver it in an unvaried tempo: note how monotonous is the result. This poem requires a great many changes of tempo, and is an excellent one for practise. 3. Use the changes of tempo indicated in the following, noting how they prevent monotony. Where no change of tempo is indicated, use a moderate speed. Too much of variety would really be a return to monotony. _THE MOB_ |
|