Essays on the Stage - Preface to the Campaigners (1689) and Preface to the Translation of Bossuet's Maxims and Reflections on Plays (1699) by Thomas D'Urfey
page 20 of 76 (26%)
page 20 of 76 (26%)
|
many admirable Pieces, call'd the _Muses Looking-glass_, makes his whole
Moral to be the Vindication of the Stage, and its usefulness, and by shewing the passions in their Kinds, contrives to confute some canting prejudic'd Zealots, whose ignorance and frenzy had conspir'd before to run it down; I will treat the Reader here with some of it. A Country Lass, for such she was, tho here In th' City may be Sluts as well as there; Kept her hands clean, for those being always seen, Had told her else how sluttish she had been; Yet was her Face, as dirty as the Stall Of a Fish-monger, or a Usurer's Hall Begrim'd with filth, that you might boldly say, She was a true piece of _Prometheus_'s Clay. At last, within a Pail, for Country Lasses Have oft you know, no other Looking-glasses, She view'd her dirty Face, and doubtless would Have blush'd, if through so much dirt she could. At last, within that Water, that I say, That shew'd the Dirt, she wash'd the Dirt away. _So, Comedies, as Poets still intend 'em,_ _Serve first to shew your faults, and then to mend 'em._ [Footnote: _Muses Looking-Glass._] Here was a pretty Compliment to our Art now, a good Moral with good Manners into the bargain; and yet 'tis certain the times then were as Licentious as now, and the Poets took as little care of their Writings; but Mr _Randolph_ always made his good Nature agree with his Wit, and put as favourable construction upon Scenes of Diversion, as reason would |
|